منبع: dkoodak
1393/03/16آدرس مقاله در پایگاه مجلات تخصصی نور: مجله مقام موسیقایی » فروردین ۱۳۸۰ – شماره ۹ (از صفحه ۴۳ تا ۴۷)URL : http://www.noormags.com/view/Magazine/ViewPages.aspx?ArticleId=194293نویسنده : میرهادی، تورانمقام موسیقایی » شماره ۹ (صفحه ۴۳)
1393/03/16چکیده12 اتود هکتور ویلالوبوس برای اولین بار در سال 1953 به چاپ رسید که در سال 1990 نیز مورد تجدید چاپ قرار گرفت. در دهه نود، دست نوشته های آهنگساز از این 12 اتود کشف گردید و مقایسه آنها با نسخه چاپی، اختلافات زیادی را نشان می داد. به دلیل اهمیت این اتودها در ریپرتوار گیتار کلاسیک و همچنین وجود ابهامات زیاد در نسخ چاپی، نگارنده در این تحقیق به اختلافات زیادی برخورد نمود که در ابتدای امر تصور نمی شد، نسخه چاپی تا این اندازه از نسخه خطی که در سال 1928 تکمیل شده است، فاصله داشته باشد. و با پیشرفت در تحقیق ناگریز به تفصیل و گسترش نکات در فصول جداگانه گردید.کلید واژه ها: اتود- نسخه خطی- نسخه چاپی- هارمونیک- دینامیک- آرتیکولاسیون- انگشت گذاری- تمپو.
1393/03/08INTRODUCTIONHeitor Villa-Lobos (1887-1959) composed his twelve guitar’s studies in 1920th. these studies are the most widely-played works which have been written specially for guitar for study purpose. Also these studies are the most important pieces for concert repertory which have been written in 20th century. Éditions Max Eschig of Paris, published the first edition of his works in 1953 and subsequently the second edition in 1990. this company is the sole publisher of the huge part of Villa-Lobos works. Both of the company's editions have been the most trust worthiest sources of his works for many years. A manuscript of studies which had been put down by his own hands from 1928 was discovered in mid- 1990th. Unfortunately this remarkable version which was notated meticulously with full of his marking has not been publish by the Max Eschig's edition yet. Since the current decision makers of this reputable publication do not believe that the 1928th manuscript is worth to be investigated. however, there are many contradiction between 1928th manuscript and 1990th edition which impose some difficulties for the performers.In the following study I have tried to show a precise analysis of these discrepancies between the 1928th manuscript and 1990th edition. this analysis will reveal the importance of the earlier more. It will also show the flaws and deficit of the latest edition. I hope it will assist to enhance understanding of guitarists from Villa-Lobos studies and help them to perform them as correct as possible. Key: Heitor Villa-Lobos- A.Segovia- Max Eschig- Etude
1390/03/10مشخصات و اطلاعات تماس آموزشگاه های موسیقی کرج